Disculpa si te presento como que no te conozco

Disculpa si te presento como que no te conozco uses both scenic resources to generate an intimate proposal that connects, from universal to personal, with every spectator’s emotion and thus it generates reflections on intimacy.

Two bodies play with symmetry, duplicity and ambiguity to compose surprising images, acrobatic dialogues and dreamlike scenes. Disculpa si te presento como que no te conozco justifies the fact that you know me without knowing me.